CAML Review / Revue de l'ACBM
https://caml.journals.yorku.ca/index.php/caml
<p><em><span style="font-weight: 400;">CAML Review</span></em><span style="font-weight: 400;"> is the official publication of the Canadian Association of Music Libraries, Archives, and Documentation Centres (</span><a href="https://www.caml-acbm.org/en/"><span style="font-weight: 400;">CAML</span></a><span style="font-weight: 400;">). An open-access publication that appears twice a year (June 1 and December 1), </span><em><span style="font-weight: 400;">CAML Review</span></em><span style="font-weight: 400;"> includes peer-reviewed research articles, along with reports, news, essays, and reviews, with particular focus on music in Canada, music librarianship and archival management, and bibliography. Articles may be of any length; research articles are normally 4000 to 6000 words. Submissions may also take the form of creative works such as first-person narratives, interviews, memoirs, photo essays, or poetry.</span></p>CAML / ACBMen-USCAML Review / Revue de l'ACBM1496-9963<p><span>Authors who publish with this journal agree to the following terms:</span></p><p>Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a <a href="http://creativecommons.org/licenses/by-nc/4.0">Creative Commons Attribution-NonCommercial License</a> that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.</p><p>Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.</p>Message from the President
https://caml.journals.yorku.ca/index.php/caml/article/view/40464
Lucinda Johnston
Copyright (c) 2023 Lucinda Johnston
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2023-12-132023-12-135123310.25071/1708-6701.40464Editors' Column
https://caml.journals.yorku.ca/index.php/caml/article/view/40465
Carolyn DoiKyra Folk-Farber
Copyright (c) 2023 Carolyn Doi, Kyra Folk-Farber
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2023-12-132023-12-135127710.25071/1708-6701.40465Milestones
https://caml.journals.yorku.ca/index.php/caml/article/view/40466
Copyright (c) 2023 Carolyn Doi
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2023-12-132023-12-135129910.25071/1708-6701.40466Reports from the 2023 CAML / ACBM Annual General Meeting
https://caml.journals.yorku.ca/index.php/caml/article/view/40467
Maureen NevinsCathy MartinTrevor DeckBecky SmithMarc StoeckleGavin GoodwinCarolyn DoiJan GuiseKyla JemisonKatherine Penner
Copyright (c) 2023 Maureen Nevins, Cathy Martin, Trevor Deck, Becky Smith, Marc Stoeckle, Gavin Goodwin, Carolyn Doi, Jan Guise, Kyla Jemison, Katherine Penner
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2023-12-132023-12-13512101010.25071/1708-6701.40467Minutes of the 2022 CAML / ACBM Annual General Meeting
https://caml.journals.yorku.ca/index.php/caml/article/view/40468
Copyright (c) 2023 Carolyn Doi
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2023-12-132023-12-13512333310.25071/1708-6701.404682023 SQACBM Annual Meeting Report
https://caml.journals.yorku.ca/index.php/caml/article/view/40469
Katie Lai
Copyright (c) 2023 Katie Lai
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2023-12-132023-12-13512484810.25071/1708-6701.40469Spotlight on Music Collections: The CBC Montreal Radio Broadcasts Archive at the Marvin Duchow Music Library
https://caml.journals.yorku.ca/index.php/caml/article/view/40470
Houman BehzadiMelissa PipeCarolyn Doi
Copyright (c) 2023 Carolyn Doi
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2023-12-132023-12-13512515110.25071/1708-6701.40470An Appreciation of Canadian Organist and Composer Rachel Laurin (1961–2023)
https://caml.journals.yorku.ca/index.php/caml/article/view/40471
Gilles Leclerc
Copyright (c) 2023 Gilles Maurice Leclerc
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2023-12-132023-12-13512565610.25071/1708-6701.40471Jocelyn Morlock – A Remembrance
https://caml.journals.yorku.ca/index.php/caml/article/view/40472
Kevin Madill
Copyright (c) 2023 Kevin Madill
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2023-12-132023-12-13512606010.25071/1708-6701.40472Settling Scores: Best Practice for the Maintenance of Sheet Music
https://caml.journals.yorku.ca/index.php/caml/article/view/40473
<p>While music libraries fundamentally face the same preservation concerns as any other library, their collections face unique problems. Sheet music is heavily used in distinct ways, and comes in a wide variety of sizes, shapes, and formats, all of which lead to maintenance issues that apply specifically to these materials. Arguing that genre and use inform the formats and damage we see in sheet music, this paper systematically explores the different features of scores, including bindings, sizes, and uses. I discuss the major preservation issues faced by circulating, printed music collections and suggest possible solutions.</p>Risa de Rege
Copyright (c) 2023 Risa de Rege
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2023-12-132023-12-13512626210.25071/1708-6701.40473On Music Theory, and Making Music More Welcoming For Everyone by Philip Ewell (Book)
https://caml.journals.yorku.ca/index.php/caml/article/view/40474
Robin Attas
Copyright (c) 2023 Robin Attas
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2023-12-132023-12-13512828210.25071/1708-6701.40474Community Music at the Boundaries by Lee Willingham (Ed.) (Book)
https://caml.journals.yorku.ca/index.php/caml/article/view/40475
Fiona Evison
Copyright (c) 2023 Fiona Evison
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2023-12-132023-12-13512878710.25071/1708-6701.40475Sampling, Biting, and the Postmodern Subversion of Hip Hop by Jim Vernon (Book)
https://caml.journals.yorku.ca/index.php/caml/article/view/40476
Claire McLeish
Copyright (c) 2023 Claire McLeish
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2023-12-132023-12-13512909010.25071/1708-6701.40476