Extrapolating Terminology: The Carnivalesque Practice of Language Writing In the Grotesque Body of I Don’t Have Any Paper

Authors

  • David Milman York University

DOI:

https://doi.org/10.25071/2369-7326.34734

Abstract

There is a similarity between the rhetorical strategies of Language Writing and the rhetorical strategies attributed to carnivalesque texts by Mikhail Bakhtin. However, the aesthetic differences between standard uses of the carnivalesque and grotesque realism may, at first, obfuscate these similarities in rhetorical strategy. While the aesthetic of these two forms of writing is certainly not identical, there are enough allegorically and rhetorically parallel elements to state that a form of the carnivalesque and grotesque is at work in Language Writing. To prove as much I will summarize Mikhail Bakhtin’s articulation of carnival and grotesque realism and then draw lines of similarity between that articulation and the strategies of Language Writing expressed by Bruce Andrews and Steve McCaffery. In the process I will bolster my argument with reference to textual examples, taken from Bruce Andrews I Don’t Have Any Paper, which exemplify these parallels in operation.

References

Andrews, Bruce. I Don’t Have Any Paper So Shut Up (or, Social Romanticism). Los Angeles: Sun & Moon Press, 1992. Print.

Andrews, Bruce. Paradise & Method: Poetics & Praxis. Evanston: Northwestern UP, 1996. Print.

Bakhtin, Mikhail. Rabelais and His World. Trans. Hélène Iswolsky. Bloomington: Indiana UP, 1984. Print.

Barthes, Roland. “The Death of the Author.” Contemporary Critical Theory. Ed. Dan Latimer. Harcourt Brace Jonanovich, 1989. 54-59. Print.

Evans, Fred. “Lyotard, Bakhtin, and Radical Heterogeneity.” Lyotard: Philosophy, Politics, and the Sublime. Ed. Hugh J. Silverman. New York: Routledge, 2002. 61-74. Print.

Ma, Ming-Quian. Poetry as Re-Reading. Evanston: Northwestern UP, 2008. Print.

McCaffery, Steve. North of Intention: Critical Writings 1973-1986. New York: Roof Books, 2000. Print.

Perloff, Marjorie. Poetry On & Off the Page. Evanston: Northwestern UP, 1998. Print.

Porush, David. The Soft Machine: Cybernetic Fiction. New York: Methuen, 1985. Print.

Shetley, Vernon. After the Death of Poetry: Poet and Audience in Contemporary America. Durham: Duke UP, 1993. Print.

Suvin, Darko. “Defining the Literary Genre of Utopia: Some Historical Semantics, Some Genology, A Proposal, and a Plea.” Metamorphoses of Science Fiction: On the Poetics and history of a Literary Genre. New Haven: Yale UP, 1979. 37-62. Print.

Wiener, Norbert. Human Use of Human Beings: Cybernetics and Society. Boston: Da Capo Press, 1954. Print.

Wrighton, John. Ethics and Politics in Modern American Poetry. New York: Routledge, 2010. Print.

Downloads

Published

2013-03-26

How to Cite

Milman, D. (2013). Extrapolating Terminology: The Carnivalesque Practice of Language Writing In the Grotesque Body of I Don’t Have Any Paper. Pivot: A Journal of Interdisciplinary Studies and Thought, 2(1). https://doi.org/10.25071/2369-7326.34734

Issue

Section

Critical Articles