Derived from "bawd," a word of uncertain etymology associated with practices of female prostitution, "bawdy" describes something that is boisterously or humorously indecent. Considering that one of the earliest known works of literature, The Epic of Gilgamesh, with its many descriptions of the randy exploits of a Sumarian prince, can be considered bawdy, one might suggest that bawdiness is an intrinsic quality of literary discourse. From Rabelais's laughing pregnant hags, to Rochester's copious odes to genitalia, and Joyce's "obscenities" in Ulysses, the bawdy has titillated centuries of readers. Shakespeare's statement, "it is a bawdy planet," further suggests that bawdiness is in fact a condition of earthly existence, rather than a specifically literary phenomenon. One might wonder, however, if our hypersexual society, with its tendency to overexpose the body, is limiting our ability to engage in a form of expression that seems to be at least partially enabled by sexual restrictions. Or has this contemporary tendency to "bare all" created a unique environment in which bawdy forms like the burlesque can be all the more attractive, because we yearn for the mystery, the comedy, the provocation, and the tease-because for once, we want NOT to see it all, or at least NOT to see it all at once.
These are just some of the lines of inquiry that will be explored in the second issue of Pivot, entitled Undressing the Bawdy. We invite participants from across disciplinary borders to submit proposals for papers that engage with any aspect of this highly mobile field of inquiry.
Possible topics could be inspired by, but should not be limited to, the following thematic concerns:
Please submit 6000-7000 word articles by January 18, 2012 by registering and submitting at http://pi.library.yorku.ca/ojs/index.php/pivot/about
All submissions must follow the style guidelines found on the same page.
Call for Papers: Undressing the Bawdy
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