Archives

2012

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Journal of the Motherhood Initiative Vol 3, No 2 (2012)

Front Cover Artwork: Aparna Agrawal, “Body Armor, Sharp Shells,” 2000, Muslin cloth, brokenshells, beeswax, 19" x 12.5" x 4".

Artist Statement: I move between making sculpture, paintings, drawings and mixedmedia or video fluidly during the year, choosing the dimension of the work (2d or3d or moving image) because of the ideas I want to communicate. My sculpturescontinue to be embedded with themes of fragility, loss, holding and transience, usingcommon materials such as paper, wire, tissue, thread, cotton, wax, and plaster. Theseworks often have quiet longing and sadness and speak about the body, its gesture, andits subtle narrative. Paintings and drawings are about my time spent in the naturalworld. Whether it’s in the Venezuelan rainforest, where I’ve been spending severalweeks every year for 20 years, or the expansive pastures and woods of Vermont, andthe Atlantic seacoast, I use a combination of materials to express the movement, theexhilaration I feel when I’m in sun, wind, water, and weather, and participatingin nature’s rich, teeming life. More recently, my artmaking process has shifted froman isolated artistic one, based in the studio, to a collaborative one out in the world.I seek an active dialogue with others and invite them to enter a creative process.Through thinking, recollecting, and participating in work, visitors partner withme; they record their voices, make drawings, and complete a puzzle. The expressionof loss and remembrance no longer a solitary passage becomes a shared one.

Cover Page

Journal of the Motherhood Initiative Vol 3, No 1 (2012)

Front Cover Artwork: Rachel Epp Buller, "Milchkaffee."


2010

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Journal of the Motherhood Initiative Vol 1, No 2 (2010)

Cover artowrk: Christina Foisy

Cover design: Luciana Ricciutelli


2009

Cover Page

Journal of the Association for Research on Mothering Vol 11, No 2 (2009)

Cover art: Helen M. Stummer
Cover Design: Luciana Ricciutelli
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Journal of the Association for Research on Mothering Vol 11, No 1 (2009)

Cover art: Judith Kuegler Webster
Cover Design: Luciana Ricciutelli

2008

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Journal of the Association for Research on Mothering Vol 10, No 2 (2008)

Cover art: Janelle Hardy / Cover Design: Luciana Ricciutelli
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Journal of the Association for Research on Mothering Vol 10, No 1 (2008)

Cover Art: Dorothy Englander / Cover Design: Luciana Ricciutelli

2007

Cover Page

Journal of the Association for Research on Mothering Vol 9, No 2 (2007)

Nora Patrich, "Mother and Child," acrylic on canvas, 48 x 36 inches. Visit her website at: www.norapatrich.com


2005

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Journal of the Association for Research on Mothering Vol 7, No 2 (2005)

"Grandmother and Child," Photo: Ian Richard Barnett
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Journal of the Association for Research on Mothering Vol 7, No 1 (2005)

"The Eternal Mother and Child," photograph by Joe Paczuski. "Mother and Child" is the creation of Florence Wyle (1881-1968), whose work is also featured at the Art Gallery of Ontario and the National Gallery in Ottawa. The sculpture is located in front of the Mothercraft building, located at 32 Heath Street West, near the Yonge/St. Clair intersection in Toronto. Mothercraft provides service coordination for families of children birth to six years with developmental delays, family assessment and support, and early intervention for mothers and children affected by substance abuse.

2004

Cover Page

Journal of the Association for Research on Mothering Vol 6, No 2 (2004)

Shirley Greer, "Ironies - Dress," detail, mixed media: softground etching, silkscreen text, embroidery, button, 81.2cm X 68.8cm, dress image size: 45cm X 53.5cm, 2002. Shirley Greer is a printmaker and textile artist who pursued a formal art education in her mid-50s, after raising her family. She graduated fom Sir Wilfred Grenfell College, Corner Brook, NL with a BFA in 2003. Her body of work titled "Ironies" was in response to the (ironic) fact that while the work of mothering is rarely valued in our society, fne art images reflecting that work are highly valued. Shirley lives, and practices her art, in Pasadena, Newfoundland.
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Journal of the Association for Research on Mothering Vol 6, No 1 (2004)

Erin Tapley, "Offer," lithograph, 12" x 18", 1998 Erin Tapley exhibits her work in prints and mostly installations nationally. She is an Associate Profesor at University of Wisconsin Oshkosh in Art Education.

2003

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Journal of the Association for Research on Mothering Vol 5, No 2 (2003)

Suzanne Northcott, "Copper Moon," detail, mixed media on wood, 12" x 12".
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Journal of the Association for Research on Mothering Vol 5, No 1 (2003)

Brenda Clews, "Bloom," Birth Painting Series, watercolour on paper, 13.25" x 9", 1986.

2002

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Journal of the Association for Research on Mothering Vol 4, No 2 (2002)

Kathleen Vaughan, "Heirloom 1: Margaret," (detail), mixed media on canvas, 72" x 120", 1993-1994. Photo: Kathleen Vaughan.
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Journal of the Association for Research on Mothering Vol 4, No 1 (2002)

Stephanie Springgay, "Sindoor," hand-made paper, Sindoor powder, photograph, and acrylic paint, 40 cm X 40 cm X 24 cm, 1998. The image depicts one of the 21 vessel forms from the installation Sindoor. The forms, cast from hand-made paper are lined with vermilion red Sindoor powder, which in turn cradle a fragmented photograph of a body part. The work examines the body in relation to history, cultural production, nature, and identity as a fragment. Fractured painted body parts speak of new composites in an exploration of both the ephemerality of the body and our desire to leave a mark: to create, organize, and understand. The works position the body between artifact and archive, as a region of uncertainty.

2001

Cover Page

Journal of the Association for Research on Mothering Vol 3, No 2 (2001)

"Prayer," by Gailene Powell, oil on canvas, 78 cm. X 61 cm. This painting forms part of a series titled "Songs Before the Dawn." The series explores the bird as symbol for hope, peace and transcendence. The body of work is an ongoing collaboration between painter Gailene Powell and poet Rishma Dunlop.
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Journal of the Association for Research on Mothering Vol 3, No 1 (2001)

Karen Turnbull, "Rhiannon," coloured artist's ink, chalk, and gesso on paper, 15" X 20.5", 2000.

2000

Cover Page

Journal of the Association for Research on Mothering Vol 2, No 2 (2000)

Winsom, 'Yemaya," (detail, tryptich), oils on canvas, 122 X 459 cm., 1999. "Yemaya is the first mother and with her the human race multiplies. She is mother of the world. She is the blood of the earth, the giver of life to all who live on this planet. Yemaya rules the house, nurtures the child in the waters of the womb, and has jurisdiction over the affairs of women. Nothing in this world can exist without Yemaya. Power is the name ofYemaya."
Cover Page

Journal of the Association for Research on Mothering Vol 2, No 1 (2000)

Judy Martin, "Self-Portrait," Detail. Painted cotton, recycled maternity clothing, hand-pieced and quilted, 46" X 50", 1986.

1999

Cover Page

Journal of the Association for Research on Mothering Vol 1, No 2 (1999)

Rosamund Elwin and her daughter, Aziza Elwin Carrington. Photo: Rachel Epstein

    


We are grateful to the Social Sciences and Humanities Research Council of Canada (SSHRC) for its ongoing support of the Journal of the Motherhood Initiative for Research and Community Involvement.